Was it
fate that Mark Shnackenberg should graduate from a particular college in
Vermont and then find work as a weatherman in Cedar Rapids Iowa? Did he plan to
live in Iowa? Did Mark Shnackenberg have the final say in the series of events
that led him here? Or was it the imperative of fate? He might have chosen to drive
a cab in his native New York. If he did, indeed, have a choice. Or he might
have opened his own hot dog stand. Maybe his customers would, after a number of
years, given him the nickname of “Shnack.” They might have said, “Hey, Shnack!
How ‘bout a Snack?”
I don’t
think that, if he were a hot dog vendor, his face would pop up on the first page
of a Google search. A hot dog vendor doesn’t get face time on nightly local
television. Or local morningly television. Or whenever he’s on. I don’t know
when he’s on. Because I haven’t watched a local weather forecast in many years.
I am only familiar with Mark Shnackenberg from the few times I did see him,
back when he was a skinny sidekick to the main weatherman at the time, Jeff
Kennedy. It’s strange to have this memory of a young guy and then, all of a
sudden, while flipping through channels, looking for a football game, to see an
old guy and to know without a doubt that both guys are the same guy. It’s like
being involved in some kind of nightmarish time travel. How is it possible? How
did it happen?
I have
been trying, for the past few months, to change my career. I’ve been trying to
write a screenplay. It seems to be an almost impossible thing for me to do. Writing
a screenplay has very little to do with writing. It has, I think, more to do with
imagining how things might look if they weren’t words. And also deciding in
what order to deliver whatever it is you think you might want to deliver. There
are not simple answers. But I want there to be. That’s why I read the books on
how to write a screenplay. One book, Screenplay,
by Syd Field, is supposed to be, according to the jacket, the authoritative
text. But then, so is Story by Robert
McKee. And so is The Writer’s Journey
by Christopher Vogler. There are lots of other “authoritative” texts, but these
are the only ones I’ve read. Vogler talks a lot about the “hero” of the story.
And he writes that the hero has the will for self-sacrifice. This, he writes,
is how the ancient Greeks defined the word. So, we have someone who, if he is
to be a hero, must sacrifice something. And this sacrifice should happen
somewhere in the second act, which should happen between pages 30 and 90. Now,
I read screenplays. And I watch the films that were produced from the
screenplays. I notice how the dialogue, in most cases, varies greatly from
script to film. I try to locate the first and second “plot points,” as they
call them. And I always ask the same question about the hero. What did the hero
sacrifice? Rocky sacrifices his body. Michael Clayton sacrifices his
profession. Sometimes, when you start reading scripts like a maniac and
watching too many films, you lose track of characters. You start to look at
your wife as a character. And you ask, what does she sacrifice? I watch her
with my son, Michael, who makes noise all the time. Always. Always. And it
drives me fucking crazy in a way you will never understand unless you carry
with you, throughout the day and night, a cage full of crickets. I need to get
away from the crickets. That’s why I love my job so much. Because the heavy
equipment, which, although very loud is at least regular and steady. Unlike
the sounds my son makes. I watch Deb, who spends so much time with him. Who
bathes him and never stops trying to teach him rock, paper, scissors. Who
blasts Beethoven’s 9th from laptop speakers and moves Michael’s arms
to the music because it makes him smile. And I know what she has sacrificed.
Everyone
at church talks about the sacrifice that Jesus made. It’s the central Christian
belief. Jesus gave his life to cleanse us of our sins. And ever since I was a
little kid, I always thought it was about this poor guy who got nailed to a
cross. That must have hurt, being nailed to a cross that way. As if the
sacrifice happened in that one day. Or that stretch of days, with the whipping
and crown of thorns and, ultimately, the crucifixion. But it took more than a
day or three. For Jesus, the sacrifice lasted 33 years. He sacrificed 33 years
for us. He studied. And preached. And prayed for us. And then he died for us.
It was an entire life of sacrifice. But Jesus Christ isn’t a movie. Of course,
there have been plenty Jesus Christs in movies. And they all sacrificed their
lives. And, since I’m completely involved with myself and writing a screenplay
based on a book about myself in which I am the “hero,” I can’t help but wonder
what the fuck I have ever sacrificed in my entire life. And then I realize that
I have sacrificed it to many disparate things. I think of the hours I’ve spent
playing golf. I’ve sacrificed that time for golf. Not very noble. But not
completely despicable either. I mean, I hadn’t spent that time sacking villages
and raping women or anything. It was just a game. So I have, in part, sacrificed my life to a game. And I have sacrificed it to the repair of
machines. I have sacrificed, all told, probably about ten seconds of my life
conceiving my children and about twenty years raising them. So far. I could
have done worse. And I could have done better. I mean, there are squirrel
entrails burned upon the altar and then there are calf loins. Both sacrifices.
One much better tasting than the other and maybe more pleasing in God’s sight.
Or maybe not. What do I know? When it came time to decide whether I would
devote myself to my family or not, what did I sacrifice then? Do I choose,
every day, to devote myself to my family? Not at all. I go to work. Why?
Because I need to in order to eat. And in order for my family to eat. But I’d
do it whether I had a family or not. Do I regret, every minute of my workday,
that I can’t spend the time with Michael? No. I’m grateful for the reprieve.
So, if my life is my sacrifice (as is the case with each one of us), what is my
life, exactly? What does it consist of? I think it’s probably more along the
lines of squirrel guts than calf steaks. Which doesn’t make for much of a
screenplay.
I have a
service call on a chiller first thing tomorrow morning. It’s an air-cooled
chiller that is located outside, so I’ll need to consider whether or not to
pull on the old Underarmour before I head out to do the job I actually get paid
for. In Mark Schnackenberg’s blog, which is entitled Shnack’s Storm Track 7 Blog, he calls for mostly cloudy skies all
week long. Highs around twenty degrees. Variable winds. It’s good information
to have. Brought to us by a man who has sacrificed a large part of his life to
predicting where the wind will blow. And what it will blow. Which is a useful
and worthy sacrifice. I write this humbly. Without sarcasm. And I’d like to say
thank you. Thank you , Mark Schnackenberg.
Good luck Mr. Blair. You'll figure it out. There is no doubt you can write!
ReplyDeleteThanks, Elena. I'm giving it a go.
DeleteCLICK: http://allrecipes.com/recipe/slow-cooked-squirrel/
ReplyDeleteIt's a recipe for squirrel, Joe.
: )
C Kel, I'm going to this link. But I don't know why. Because I know I'll never really cook a squirrel. Unless it's the end of the world and I'm starving. In which case I'll probably just eat the damn thing raw. But thanks. I'm going there now.
DeleteI'm going to ignore all the other worthy *content* here and just say how much I would love to knock back a few beers with you and talk about this here writing business. "Business," more in the sense of monkey business than some other kind of business.
ReplyDelete