The four
of us ate breakfast together at Cracker Barrel. I love Cracker Barrel because
they have fireplaces and they burn real wood and they have the best greens I’ve
ever tasted. I ordered chicken and greens and the other guys ordered whatever
it is they ordered and the conversation went like this:
Joe: . .
.and what the fuck happened with Jay? He said he gained thirty pounds? In. .
.what? Three months?
Paul:
That’s what happens. Happened to me.
Joe: But
you lost. . .
Paul:
Fifty pounds.
Joe:
Fifty pounds? How much do you weigh now?
Paul:
Two hundred.
Joe:
That’s what I weigh.
Paul: I
pissed DC off. Now I weigh less than him.
This is
how it went. I learned that DC weighs just over two hundred and he wants to
weigh one eighty. Paul wants to get down to about that. I also want to get down
to about that. We all want to weigh one eighty. Conor didn’t say anything, but
I happen to know he weighs two hundred as well. But he’s only nineteen years
old so he doesn’t count. The waitress is an old woman with black hair who keeps
rubbing my back when she asks how everything is. When she tells me about the
Coca Cola cake, she pushed her entire torso against my side and then moved up
and down against me. I kept thinking it was unintentional, but I don’t think it
was. “It’s the best cake I’ve ever had!” she said as she rubbed against me.
“Oh
really?”
“Yes! It
doesn’t belong in this world! It belongs in. . .some other world!”
I let
this one go. I ordered the cake. When she left, I rubbed my eyes. The other
guys laughed.
“She
doesn’t know you’re gay,” says DC.
This turns
the discussion to how gay I am. And how much time I spend under my boss’s desk.
And how gay my hat is. And how, due to my gayness, I voted for Obama and listen
to NPR. The subject of potato chips comes up and I say I don’t like barbeque.
But I do like vinegar and sea salt. DC says I like vinegar and sea salt because
it tastes like dick. And I say how does he know. And he says, “Well, that’s
what mine tastes like anyway.” Which
is a good one and we all laugh. This is the high point of our discussion.
All of
us in the older generation talk about how sad it is that the young people don’t
talk to one another anymore. Don’t they know how important it is to talk to one
another? But do they? Do they talk to one another? No. They sit all alone and
fuck around with their phones or computers or video games. Don’t they know what
kind of stunningly interesting conversations they could be participating in?
Conor
and I don’t talk much all the way home. I’m listening to a book on CD: Freedom
by Jonathan Franzen. I don’t like the book so far. It seems to be about mean little
people talking about mean little things. Conor asks two questions on the two
hour drive. “What do they grow out here?” was one. “Corn and soy beans mainly,”
I say. I can’t remember the second question.
They say
a winter storm is on its way. Actually, what they say is, “A winter storm slams the Midwest.” They always use
these ridiculously active verbs the same way sportscasters do. “The Clippers dunked the Pistons; the Lakers ripped the Celtics.” “That really makes
me angry,” said my father from his kitchen in Vermont. “What makes you angry?” “When
people say stupid things like that. Just use a bunch of stupid words that don’t
mean anything.” “It’s always been that way.” “But it bothers me more now,” he
says. “Maybe because you have so much time to think about it,” I say.
No work
today. I called in. No work. Just hang in there. We’ll see if anything comes
in.
I check
my email. I take a bath and read the galley of a new book by Alexander Maksik, A Marker to Measure Drift. It’s a book
about a woman from Liberia who is homeless. Wandering along black beaches.
Living in a cave. In an abandoned house. Always haunted by the ghosts of her
mother. Her sister. Her father. Her lover. No longer with her now. So much time
to get hungry. To eat or not eat. To sleep. To remember. It’s the most
beautiful book. I read it all alone, my family off to work or school. When I
get hungry, I go for lunch at a small Mexican place called Cactus. I know the
owner. I’ve known him for years. He’s happy to see me. But then, he’s happy to
see everyone. At least that’s how he acts. The traffic moves past. The
temperature outside is in the low twenties. Pretty warm compared to what it’s
been. It always warms up before it snows. I call my parents before my tamale comes.
My father tells me how much he hates weathermen.
Having
the entire day free, I stop in at Café Crema, a coffee shop where I can write
and listen to music. But I don’t want to write. I get online and send Alexander
Maksik an email. I tell him I’m reading his book. I tell him I have the day
off. I'm imagining what it would be like to have every day off. “What the fuck do you writers DO all day?!” I write. I check Facebook: A Degas
– three ballerinas. Or is it one ballerina in motion? A Timothy Bickerton. A black-and-white
photograph of an outhouse in the dead of winter. An article about Oscar Pistorius.
A Soviet propaganda poster about how to hang Soviet propaganda posters. A 1945 photograph
of a stripper posing with a ventriloquist dummy. A pulp fiction cover: The Alcoholics: a constipated guy hugs a
bedpost while a sexy nurse poses seductively with a 40 oz. beer. A personal
note from my brother-in-law, Dan, about how his son says hello to my special
needs son in school and is proud of it and nobody teases him. I write Dan back.
I wish Kate, my sister-in-law a happy birthday. A photo of the great Nina
Simone. I listen to Nina Simone, who would have been 80 today. I listen to
Sade. I listen to a clip about the time Jimi Hendrix came onstage when Cream
was playing and blew everyone away. And then a clip on Eric Clapton recalling
Jimi after he died, just a few days before having bought him a left-handed
guitar and never getting the chance to give it to him. Then a clip on Les Paul
wanting to sign Hendrix but not knowing his name or how to reach him and
finally being told (in error) that Hendrix had died in a fire and not seeing
him again until, four years later, he was the #1 seller in England. Robbie
Robertson on meeting Hendrix. Jeff Beck on meeting Hendrix. Joni Mitchell on
Hendrix. Paul McCartney plays a tune by Hendrix. A few tunes by Hendrix. The caffeine
kicking in now. Feeling better now. The traffic passes by. Cold outside. But
not as cold as it was. Ready for snow now. School letting out early, says
someone on Facebook, and not one flake of snow has fallen. The ‘80s are
laughing their asses off. And here we all are. Reading articles about Socrates.
Reading articles about what they’re calling “another shooting spree” in LA. I
wonder if this would make my father angry. The Celtics lost to the Lakers. And
now, having extinguished every excuse, I begin to write. Because there’s nobody
to talk to. All I have is every author who has ever written a word. Every
guitarist who has ever played a riff. Every impressionist. Every painter. Almost
every person I know or know of. People who share interesting things. Whose
birthday it might be. Whose child might attend school with my child. Every
poet. The answer to any question on grammar. Or refrigeration. An account of
every naval battle in history. The Monitor. The remains found. Still in
uniform. And when I get tired of talking to Paul and DC, stimulating as their
conversation might be. And I want to listen to Jimi Hendrix, I can do that. Sometimes,
I know where my father is coming from, even though I told him he was a
crotchety old bastard. But I get it. Sometimes I get tired of bullshit. I just
want someone to tell me the way it is. I even enter it into my search engine. “Tell
me the way it is.” And I get a song by Landon Pigg called The Way it Ends. the singer sings, “This is the way it ends. Don’t tell me
it’s meaningless. There’ll be no compromise. We fall and we too shall rise.” The
video: Graveyards. Meadows. It’s a pretty damned good song. And I think this is
what we’re capable of. No stupid talk. No stupid conversation. This is what we are
capable of. This painting. This song. A
Marker to Measure Drift. This is what we can do when we spend some time alone. With other people.
i always really enjoy the ride inside your head.
ReplyDeleteThanks, AC. Anytime.
DeleteSo here's my question after reading this. Do Paul, DC, and Conor have the same inner conversations with themselves that you do? I mean, you are there in that same "gay" conversation, yet you have so much more going on in your brain. Do you think they do, too? Does that mean that we all keep up the inane conversations rather than anything deeper, assuming that the others don't have such thoughts.....and they are doing the same? Or are writers unique in having such a full brain of thoughts? If that's true, why does your writing hit so close to home so often?
ReplyDeleteWhen I stop writing, I stop thinking the same way. My thoughts want to repeat themselves a lot. And I'll end up concentrating on sports or something. So, when I'm writing on a regular basis, it reminds me to stop doing that. Paul and DC and Conor are very smart guys. They have their own things going on up there. I have no idea what they might be, though. Emerson says that we "descend to meet". I think that's what we do.
DeleteAs for your waitress:
ReplyDeleteThere is a woman (in fact, there have been several) at the haircut place, who presses her body against her clients when she does their hair. I have noticed this poor-posture bad habit since I was a young girl. Then, it creeped me out. Now--as the stylists get younger and I get older--I am kinda turned on by it. It think it made me gay.
:)
I know. That's happened to me in haircut places too. I think it steadies them or something. But this woman wasn't cutting my hair. She had plenty of room. I didn't know how to handle it exactly.
DeleteYour writing is so wonderful I can't decide if it inspires me to write better, or to walk away from the keyboard. Either way, I'm grateful I found you.
ReplyDeleteThank you, Ilyanna.
Delete